Amphibian Biodiversity Research Lab and Archive (Spring 2023)
This semester, our design program focused on creating an archive and research lab centered around a chosen biodiversity narrative. For my project, I decided to design an Amphibian Research Center, with the primary objective of providing a secure sanctuary for the native wildlife in Forest Park. Amphibians hold a crucial role in the park's biodiversity and ecosystem, but they are particularly vulnerable to the impacts of climate change. To safeguard these creatures, the project aims to construct a shaded pond where researchers can closely monitor and protect them within the facility itself.
To enter the project, visitors step into the foyer, which faces the jewel box and encourages them to observe the wildlife up close before proceeding to the bridge. The bridge serves as a pathway across the pond and offers study rooms and a conference room, all of which provide breathtaking views of the surroundings. After crossing the bridge, visitors return to the ground floor, where the research laboratories and a large double-height library with lofting access to terrariums and books are situated.
The ultimate goal of the project is to provide an immersive experience, bringing visitors into direct contact with amphibian wildlife. The aim is to create a serene and serendipitous atmosphere where people can interact with these fascinating creatures, fostering a deep connection and appreciation for their presence in our ecosystem.
Digital Rendering looking NW
Digital Rendering from the Foyer
The 1st Floor
The 2nd Floor
Physical Model Photo
Elevation Drawings
Section Drawings
Artist Home and Studio on Cherokee Street (Fall 2022)
For this semester-long project, the task was to design a comprehensive space encompassing an apartment, workspace, and gallery, all tailored for a renowned artist. In my case, I chose to focus on Simone Leigh, an African American sculptor known for her emphasis on traditional African craftsmanship and the creation of large-scale sculptures. To reflect Leigh's artistic style, my project incorporates natural materials and references basketry in its facade, while also embracing the organic curvature found in her works.
The chosen site for this project is Cherokee Street, a historically significant area in St. Louis that dates back to the late 19th century when it was initially populated. The surrounding buildings in the neighborhood bear witness to this era. To accommodate the various functions, my design divides the space into three distinct areas, gradually increasing in privacy as one moves up the building.
The facade design aims to blend harmoniously with the surrounding brick buildings, mimicking their textures. Additionally, it allows ample natural light to filter into the gallery space, creating a unique atmosphere that complements Leigh's artwork. The overall form of the building draws inspiration from Afro-Futurism, an artistic movement in which Leigh has made notable contributions.
By incorporating these elements and paying homage to both Leigh's artistic style and the historical context of Cherokee Street, the project seeks to create a cohesive and expressive space that reflects the artist's vision while contributing to the vibrant cultural landscape of the neighborhood.
Physical Model Photo 1
Physical Model Photo 2
Physical Model Photo 3
Physical Model Photo 4
Artist Collage
Concrete Module- Group Project (Fall 2022)
FThe concrete casting exercise served as a preliminary study that would later inform the design of the home and studio. Working in groups, we aimed to create eight modules that, when combined, would form a linear accumulation with the unique capability to turn a corner. The process involved several steps: crafting molds using foam core and tape, mixing and pouring concrete, sanding and refining the modules as needed, and finally documenting the results through drawing and photography.
In our group, we collaborated to conceptualize the modules, and then evenly divided the molds among ourselves. In my initial sketches, I explored the use of specific circular cutting objects to achieve intense S and C curvatures. I focused on manipulating void and solid spaces and pushing the boundaries of the casting project. Each drawing depicted a perspective and section view of the module. By creating a total of eight modules, we generated multiple potential configurations.
Our main objective was to challenge the conventional perception of concrete and create modules that conveyed a sense of weightlessness. Through this exercise, we aimed to explore the expressive potential of the material and defy its typical associations, ultimately influencing the design approach for the subsequent home and studio project
Physical Model Photo
Physical Model Photo (Above)
Axon and Section of S-curve module
Axon Drawing of Final Assembly
My Sketches
Dystopian Design (Fall 2021)
In this studio, we embarked on an exploration of various dystopian societies depicted in popular literature. For my chosen world, it was a bleak landscape entirely covered in non-degradable plastic. Within this context, a passage introduced two young girls who ventured into a trash-filled pit in search of valuable items.
The initial exercise of the studio involved designing a body device that would aid individuals in navigating our assigned terrain. In response, I created a pair of shoes specifically engineered to protect the wearer from sharp plastic and other debris. These shoes were intended to offer safety and comfort amid the challenging environment.
Building upon this concept, the subsequent exercise focused on expanding and refining our initial device, transforming it into a bivouac suitable for the same harsh terrain. In my design, the emphasis shifted to safeguarding the inhabitants' mental well-being, considering the overwhelming reality of living amidst piles of trash. To achieve this, I utilized canvas material to diffuse the incoming light within the shelter, allowing the inhabitants to be shielded from the sight of the trash pit. Additionally, I incorporated a farm roof, enabling them to cultivate produce and sustain themselves independently, separate from the polluted surroundings.
Through these exercises, I aimed to address the practical needs of survival while also providing a sanctuary that shielded the mind from the constant reminder of the surrounding waste. The design elements, such as the protective shoes and the shelter's thoughtful features, sought to mitigate the challenges of living in such a dystopian society dominated by trash.
